Each drive stage in Maul features 32 different algorithms with which to process the incoming signal, selected with the Drive Type drop-down menu described in the previous section.

About the graphs

The graphs in this section represent the waveshaping response of most of Maul's algorithms. These do not make sense in the context of which some algorithms work, such as the Ring Mod and Digital algorithms.

The x-axis of each graph represents time, while the y-axis represents amplitude. With no processing applied (with the Drive Type set to 'Thru'), the waveshaping response can be represented by the graph to the right.

 

DCAM

Thru

Thru

This category contains DCAM analogue modelled distortion algorithms of diode, transistor and tube-based circuits. The following graphs show the waveshaping response at 50% and 100% Drive amounts. The x-axis represents time while the y-axis represents amplitude.

GE Diode (Germanium Diode)

GE Diode: 50% Drive

GE Diode: 50% Drive

GE Diode: 100% Drive

GE Diode: 100% Drive

 

HR Diode (Half-Rectified Diode)

HR Diode: 50% Drive

HR Diode: 50% Drive

HR Diode: 100% Drive

HR Diode: 100% Drive

 

Op-Amp

Op-Amp: 50% Drive

Op-Amp: 50% Drive

Op-Amp: 100% Drive

Op-Amp: 100% Drive

 

JFET (Junction gate Field-Effect Transistor)

JFET: 50% Drive

JFET: 50% Drive

JFET: 100% Drive

JFET: 100% Drive

 

Transistor

Transistor: 50% Drive

Transistor: 50% Drive

Transistor: 100% Drive

Transistor: 100% Drive

OTA (Operational Transconductance Amplifier)

OTA: 50% Drive

OTA: 50% Drive

OTA: 100% Drive

OTA: 100% Drive

 

Tube

Tube: 50% Drive

Tube: 50% Drive

Tube: 100% Drive

Tube: 100% Drive

 

Distort

The algorithms in this category introduce inharmonic distortion. The graphs shown represent the frequency response at 50% and 100% drive amounts. TheThe following graphs show the waveshaping response at 50% and 100% Drive amounts. The x-axis represents time while the y-axis represents amplitude.

 

Diff

This waveshaping function outputs the difference between the incoming audio and a sine-like waveshape.

Diff: 50% Drive

Diff: 50% Drive

Diff: 100% Drive

Diff: 100% Drive

 

Half rect

This algorithm is a half-rectified distortion function.

Half rect: 50% Drive

Half rect: 50% Drive

Half rect: 100% Drive

Half rect: 100% Drive

 

Tri

This algorithm applies a triangle waveshaping function to the incoming audio.

Tri: 50% Drive

Tri: 50% Drive

Tri: 100% Drive

Tri: 100% Drive

 

Ring Mod

These algorithms perform ring modulation of the input signal with a variety of internal carrier waveforms.

 

RM Sin

Ring modulator with sine wave carrier

RM Tri

Ring modulator with triangle wave carrier

RM Saw

Ring modulator with saw wave carrier

RM Square

Ring modulator with square wave carrier

RM White

Ring modulator with white noise carrier

RM Pink

Ring modulator with pink noise carrier

 

Overdrive

The Overdrive algorithms impart harmonic distortion upon the signal. The following graphs show the waveshaping response at 50% and 100% Drive amounts. The x-axis represents time while the y-axis represents amplitude.

 

Asym

This algorithm provides an asymmetrical overdrive function.

Asym: 50% Drive

Asym: 50% Drive

Asym: 100% Drive

Asym: 100% Drive

 

Soft

This algorithm provides a soft overdrive function.

Soft: 50% Drive

Soft: 50% Drive

Soft: 100% Drive

Soft: 100% Drive

 

Shredder

This algorithm imparts very heavy overdrive to the signal.

Shredder: 50% Drive

Shredder: 50% Drive

Shredder: 100% Drive

Shredder: 100% Drive

 

Tannin

This algorithm is essentially a shaper based on a polynomial mathematical function, with added DC shift.

Tannin: 50% Drive

Tannin: 50% Drive

Tannin: 100% Drive

Tannin: 100% Drive

 

Clipper

These algorithms DC-shift and clip the signal for a hard, abrasive type of distortion. The following graphs show the waveshaping response at 50% and 100% Drive amounts. The x-axis represents time while the y-axis represents amplitude.

Clip

Clip: 50% Drive

Clip: 50% Drive

Clip: 100% Drive

Clip: 100% Drive

 

Clip Hard

Clip Hard: 50% Drive

Clip Hard: 50% Drive

Clip Hard: 100% Drive

Clip Hard: 100% Drive

 

Clip Rect

Clip Rect: 50% Drive

Clip Rect: 50% Drive

Clip Rect: 100% Drive

Clip Rect: 100% Drive

 

Clip Half Rect

Clip Half Rect: 50% Drive

Clip Half Rect: 50% Drive

Clip Half Rect: 100% Drive

Clip Half Rect: 100% Drive

 

Clip Quad Rect

Clip Quad Rect: 50% Drive

Clip Quad Rect: 50% Drive

Clip Quad Rect: 100% Drive

Clip Quad Rect: 100% Drive

 

Clip Full Rect

Clip Full Rect: 50% Drive

Clip Full Rect: 50% Drive

Clip Full Rect: 100% Drive

Clip Full Rect: 100% Drive

 

Shaper

These algorithms apply various types of polynomial mathematical waveshaping functions to the audio signal. The following graphs show the waveshaping response at 50% and 100% Drive amounts. The x-axis represents time while the y-axis represents amplitude.

Poly 1

Poly 1: 50% Drive

Poly 1: 50% Drive

Poly 1: 100% Drive

Poly 1: 100% Drive

 

Poly 2

Poly 2: 50% Drive

Poly 2: 50% Drive

Poly 2: 100% Drive

Poly 2: 100% Drive

 

Poly 3

Poly 3: 50% Drive

Poly 3: 50% Drive

Poly 3: 100% Drive

Poly 3: 100% Drive

 

Poly 4

Poly 4: 50% Drive

Poly 4: 50% Drive

Poly 4: 100% Drive

Poly 4: 100% Drive

 

Digital

These algorithms simulate digital distortion caused by reducing the sample-rate and bit-depth of the signal.

Bit Reduce

This algorithm reduces the bit depth of the signal.

SR Reduce

This algorithm reduces the sample-rate of the signal, causing aliasing effects.